2022 was a quiet year for camera technology, thank goodness.
The decade plus I’ve been covering camera breakthroughs on this website has been a rocket ride.
So much velocity, so little time to stop, catch one’s breath, smell some roses.
Ask yourself, who can any longer tell the difference between film and digital origination on the big screen? Be honest.
No less than Roger Deakins declared film a dead issue half a dozen years ago.
His latest, Sam Mendes’ Empire of Light, shot using Arri Alexa Mini Lf (large format) and spherical Arri Signature Primes, is a loving paean to […]The post 2022 in Cameras first appeared on Filmmaker Magazine.
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