Throughout his long and distinctive filmmaking career, David Lynch has offered no shortage of unsettling, frightening, and downright confusing moments.
From the reveal of the deformed “baby” in Eraserhead, to the homeless figure jump scare in Mulholland Drive, to just about any time Dennis Hopper appears in Blue Velvet, Lynch has fueled more than a few nightmares over the years.
His most unnerving moment of them all, however, comes at the emotional and cerebral climax of his final and most unhinged feature film: Inland Empire.
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