‘Night Eats the World’ Review: Here’s the Most Innovative Zombie Movie Since ‘Shaun of the Dead’ — Tribeca

Over the decades, zombie movies have evolved into the pop songs of the horror genre, following the same familiar beats with varying results.

Typically, they involve some kind of sudden outbreak, followed by an act or two in which survivors figure out that carnivorous undead lurk around every ominous corner.

There’s usually some combination of decomposing flesh, frantic musings on morality, and dime-store social commentary.

“Night Eats the World” checks all those boxes, but this first feature from French director Dominique Rocher fuses them into an extraordinary meditation on loneliness and despair.

For the recluse at the movie’s center, zombies provide just another excuse to shun the outside world.As “Night Eats the World” begins, moody instrumentalist Sam (the great Norwegian actor Anders Danielsen Lie) attains a lively party where he feels out of place.

Heading to an empty room to brood, he promptly falls asleep; when he wakes up,

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