Alfredo Castro on ‘My Tender Matador,’ Pedro Lemebel

When Pablo Larraín started out, he arrived at the Berlinale in 2008 with extracts from his second feature, “Tony Manero,” starring Chilean actor, playwright and theater director Alfredo Castro as an off-the-rails, impoverished, over-the-hill imitator of John Travolta’s character in “Saturday Night Fever.”A symbol of cultural alienation, Castro’s character practices his disco moves as Augusto Pinochet’s tanks rumble through the streets of Santiago de Chile, clamping down on any opposition.For the next near decade from that breakthrough through to 2015’s “The Club,” Larraín’s passport to English-language filmmaking – Natalie Portman watched it, accepted “Jackie” – the filmmaker pinned his colors to Castro’s mast, casting him in leading role in “Post Mortem,” and a co-star in “No” and “The Club.”As an actor, Castro’s transformative powers are evident, from his turn as a coroner’s assistant in “Post Mortem” to Gael Garcia Bernal’s casual chic

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