‘All her movies are nonfiction’: remembering the life and work of Nora Ephron
In an expansive new biography, the acclaimed writer and director’s complexities are explored and contextualisedYou can’t chart the whole of Nora Ephron with just the name-making hits that placed her atop the end-of-the-century romcom boom, but you can’t do so without them, either.
The polymath writer’s best-known traits – her barbed wit, her particular taste mistaken by some for pickiness, her profound and enduring love of food – course through scripting gigs like When Harry Met Sally … as well as such directorial projects as Sleepless in Seattle and You’ve Got Mail.
Lovelorn and loquacious, this is the Nora fans feel they know well enough to assume the first-name basis, a characterization that only covers one side of a many-splendored woman.
Kristin Marguerite Doidge, the author of the newly released Nora Ephron: A Biography, hopes to expand the image of a singular talent for the blinker-visioned faithful and uninitiated alike.
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