‘Atlantis’ Review: An Electrifying Post-Apocalyptic Vision from the Cinematographer of ‘The Tribe’

Valentyn Vasyanovych earned notoriety as the cinematographer behind 2014’s “The Tribe,” but he finds a confident voice all his own as a director with “Atlantis,” his third feature as such but his most striking to date.

Conjuring a bombed-out, postwar Ukraine in 2025, the film’s crumbling world eerily mirrors our own, and is barely distant enough to qualify as speculative fiction.

Unfolding across austerely shot (by Vasyanovych himself) tableaux with ruinous production design that brings to mind the industrially fed-on environments of the “Fallout” video games or even Tarkovsky’s “Stalker,” “Atlantis” is a political howl from the soul about a decaying Europe.

ButThe biggest stretch of the imagination here is that the conflict between Russian and Ukraine has superficially ended, but its trickling, traumatic effects still linger.

Especially for former soldier Sergey (Andriy Rymaruk), who nows toils in a foundry, addled by Ptsd.

In the open shot of the film,

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