Teaming with Denis Villeneuve on Blade Runner 2049—a well-received sequel to Ridley Scott’s 1982 sci-fi classic—cinematographer Roger Deakins took on what the director has called “the most expensive art house movie in cinema history,” seamlessly recreating the aesthetic of the original film while building out its world.
Back in the running at the Oscars this year with his 14th nomination—and looking for his first win—Deakins was compelled to take on the ambitious project…
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