In “Mad Men,” Jon Hamm had his corner office: the room with a view, overlooking Madison Avenue, where Don Draper could work, drink and brainstorm in peace.
Maybe that’s why the actor was drawn to playing a lowly paper-pusher with a bad mustache and big dreams of occupying such a space in “Corner Office,” a low-key, screw-loose workplace satire that offers audiences a side of Hamm they’ve never seen before — and might not be in such a hurry to experience again, unless the toil-from-home blues of the pandemic have made them receptive to the call of cubicle life.Premiering at the Tribeca Festival, “Corner Office” is director Joachim Back’s slightly taxing cinematic take on “The Room,” a slender novel by Swedish actor-cum-author Jonas Karlsson, unread by me, that bills itself as “a short, sharp and fiendish fable in the tradition of Franz Kafka, Samuel Beckett and Charlie Kauffman.
Read full article