Creating the Viscous, Hallucinatory World of ‘Infinity Pool’ with Analog Techniques in a Digital Format

Many cinematographers have close relationships with directors, but the bond forged between director of photography Karim Hussain and filmmaker Brandon Cronenberg is particularly intimate.

“We’re friends and neighbors, so the visual style for ‘Infinity Pool’ was literally developed in my living room,” Hussain told IndieWire.

Hussain and Cronenberg have been working together since Cronenberg’s 2012 debut “Antiviral,” and “Infinity Pool” represents the full fruition of the experiments that began with that film — experiments in disorientation, subjective point of view, and finding a way to create an analog mood using digital technology.In “Infinity Pool,” married American tourists James (Alexander Skarsgård) and Em (Cleopatra Coleman) are staying at a posh resort in an unnamed foreign country when James is involved in a car accident and discovers the local justice system: Anyone found guilty of a crime is either executed or can pay a hefty fee to watch their double created

Read full article