“Elvis’s Eyes Were Very Special”: Dp Mandy Walker on Elvis
While the use of larger format sensors like the Alexa Lf and the Sony Venice has continued to accelerate—increasingly eclipsing Super35 as the default for robustly budgeted digital cinematography—the sprawling canvas offered by the Alexa 65 has remained more of a specialty, employed by projects seeking a scope of particularly monumental proportions.
That’s exactly how cinematographer Mandy Walker envisioned Baz Luhrmann’s Elvis.
“Elvis was epic, […]The post “Elvis’s Eyes Were Very Special”: Dp Mandy Walker on Elvis first appeared on Filmmaker Magazine.
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