The recent demise of American animator Suzan Pitt reminded many that there had been nothing quite like her relatively few screen works — particularly 1979’s “Asparagus.” That 20-minute riot of ominously surreal, sexualized imagery found considerable fame being paired with David Lynch’s “Eraserhead” at the height of its midnight-movie popularity.But actually now there is something startlingly reminiscent of Pitt’s sensibility, coming from the unlikely source of a male mainland Chinese stop-motion animator.
Purportedly in production for more than six years (the primarily line-drawn “Asparagus” took four), Shengwei Zhou’s debut feature “SHe” is also a wordless, spectral nightmare of anthropomorphized gender conflict and implicitly feminist commentary whose visual invention will impress even those put off by its cryptic, frequently unpleasant narrative content.If the midnight movie circuit still existed, this would be a natural addition to its repertory.
As is, “SHe” will have to find cult-kickstarting champions among adventuresome viewers at international festivals,
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