In the years since Mel Gibson fell from the grace of his celebrity, we’ve been through the Mel Gibson-is-canceled stage (which happened but didn’t take), the Mel Gibson-gets-a-cameo-as-found-object-of-infamy stage, the Mel Gibson-crawls-back-to-nail-a-nutzoid-lead-role stage (remember “The Beaver”?), the Mel Gibson-has-become-the-hero-of-z-thrillers-that-exploit-his-disreputability stage, the Mel Gibson-has-a-real-deal-comeback-with-“Hacksaw Ridge” stage, the Hollywood-still-won’t-accept-him-as-an-actor stage, and (at last) the Mel Gibson-barely-even-has-to-be-an-actor-because-he’s-now-a-meme stage.How else do you explain the fact that he’s now playing Santa Claus?In “Fatman,” Gibson is Chris (as in Cringle), and the joke of his performance is that with his spooky-sensitive blue-eyed stare, the crinkles-within-wrinkles that now frame those eyes, a beard of the most formidable bushiness that’s white on the bottom but with a dark mustache that curls upward, and a voice that scrapes the booming canyon depths to the point that he sounds like John Wayne with elocution lessons, he could pass for a real-world
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