Judging from the first two installments of Yaron Shani’s “Love” trilogy, it’s safe to say the Israeli director has a fatalistic approach when it comes to matters of the heart.
In “Stripped,” he juxtaposed a woman suffering the aftereffects of rape and a teenage boy discovering the social signifiers of masculinity.
Now, with “Chained,” he focuses on an abrasive cop with a pathological need to subordinate everyone to his ideas of right and wrong, including his wife and step-daughter.
As in the earlier film, Shani workshopped the story for months with non-professional actors who, press notes state, are playing versions of themselves.
The result is a powerful, often uncomfortable scrutiny of machismo given free rein through a policeman’s uniform, and a bleak picture of the meaning of love.With “Stripped,” “Chained” and the upcoming feature “Reborn,” the titles alone are a giveaway to Shani’s conception of “Love.
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