When you hear the name Guy Ritchie, you likely think of one of two types of films: There’s the hyper-kinetic, beat-em-up action films like the Sherlock Holmes franchise, King Arthur: Legend of the Sword and The Man from U.N.C.L.E.
Then there’s the relatively more subtle, quirky, and focused British underworld dramas like Lock, Stock and Two Smoking Barrels and Snatch.
Ritchie’s latest film, news of which is about to be unleashed at next week’s Cannes Festival, will be squarely in that latter trend as you might have guessed from …
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