To say that “Dominion-2022-movie-posters/”>Jurassic World: Dominion” squanders its potential would imply it had much to begin with.
Perhaps some other, theoretical sequel to J.A.
Bayona’s serviceable “Jurassic World: Fallen Kingdom” may have had promise, as a follow-up to that haunted-house creature-feature that ends with a human clone setting dinosaurs loose upon our world.
However, “Dominion” director and co-writer Colin Trevorrow (the man responsible for “The Book of Henry”) is the opposite of an idea guy.
His apparent “Jurassic” finale goes by the way of “Star Wars: The Rise of Skywalker” — ironic, since that was Trevorrow’s job — and brushes aside every promise made by its predecessor.
It’s a sequel whose images convey little meaning, other than that which they borrow from other movies, andTo introduce us to this new era of humanity, in which dinosaurs live among humans and alter our relationship to mother Earth, “Dominion” begins
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