Knocking review – noises in the night fuel urban paranoia and apartment angst

Claustrophic tale of a woman falling apart in her flat is familiar territory, but told here with fresh panacheDocumentary-maker Frida Kempff makes her feature debut with a Swedish-set thriller drenched in urban paranoia.

Molly (Cecilia Milocco), who has recently finished a stay at a psychiatric hospital following a personal tragedy, has moved into a new flat hoping for a fresh start.

The plan proves futile: she is soon plagued by mysterious, relentless sounds of knocking coming from her ceiling.

Convinced that someone is being hurt, Molly is determined to trace the origin of this mysterious cry for help, only to be faced with others’ disbelief and her own deteriorating sanity.Such a premise is by no means novel – apartment angst has been done to death since at least the mid-60s, after Polanski’s Repulsion – yet the eerie visuals and Milocco’s heart-wrenching performance elevate Knocking above its otherwise thin plot.

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