It is 1972, in Bucharest.
Ceaușescu has been in power for seven years, and the fabric of ordinary life has been steeped long enough in his regime’s corrosively oppressive mandate that it has begun to fray.
Yet against this backdrop of gathering gloom, bright, fresh first love is blossoming.
This is already a fertile setup for an atmospheric, doomed romance, but Alexandru Belc’s slow, stylish, richly imagined feature debut is much more than a Romanian riff on Romeo and Juliet.
A metronome keeps time for musicians; “Metronom” describes how insidiously even the young — those most inclined toward rebellion and optimistic self-expression in any society — can be made to fall in step with authoritarianism’s joyless, frogmarching beat.With this story of individual relationships stressed by systemic fearmongering, writer-director Belc — who previously worked with Cristian Mungiu and Corneliu Porumboiu, and picked up the directing award in this year’s Un
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