When it was announced five months ago that Gaspard Ulliel — the wolfishly handsome beau of films including “A Very Long Engagement”, “Saint Laurent” and “Sibyl” — died suddenly in a freak skiing accident at 37, peopled mourned the world over for one the most charming actors working in contemporary Gallic cinema.
With his good-natured, sleepy grin and icy blue eyes that concealed a glint of malice, it made perfect sense in his smattering of sly roles that his trademark dimple was actually, in fact, a scar.And it’s a perverse coincidence that his final feature film is entirely concerned with our hopelessness in the face of the inevitable onslaught of death.
Perhaps talk about Emily Atef’s bleakly funereal “More Than Ever” as an abrupt bookend to Ulliel’s career will overshadow the fact that , giving space for its subject to be selfish even if that means opting for the cruelest
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