Oliver Stone Settles the Score with Cannes Debut ‘JFK Revisited,’ Feels Unappreciated at Home

When you think reliable narrator, Oliver Stone doesn’t exactly come to mind.

Since his start as a director in the 1970s, the lightning-rod filmmaker, now 74, has leaned into fiction narratives with political points of view, from “Salvador,” “Wall Street,” and “W.” to Best Director Oscar-winners “Platoon” and “Born on the Fourth of July.” His last Oscar nomination came in 1996, for “Nixon,” arguably his peak of high regard in Hollywood.

It’s hard to recall that in 1992, controversial global smash “JFK” earned three Oscar nominations including Best Picture.Times change, and Stone’s complex historic and global point of view is far more layered and nuanced than current American partisanship will accept.

That’s why the Yale-grad-turned-Vietnam-vet has managed to alienate folks on every side of the political spectrum, including accusations of promulgating violence with “Natural Born Killers,” promoting a whistleblower in “Snowden,” and conducting friendly documentary interviews with dictators,

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