Ridley Scott Doesn’t Think Of Blade Runner As A ‘Science Fiction’ Film

“Los Angeles, November 2019.” These words greet viewers within the first few minutes of Ridley Scott’s 1982 dystopian sci-fi, “Blade Runner.” The world-building in “Blade Runner” is rightfully lauded for its intricate aesthetics, as the film set a precedent for the science-fiction genre for years to come.

Loosely based on Philip K.

Dick’s “Do Androids Dream of Electric Sheep?,” “Blade Runner” tells the story of a crumbling metropolis steeped in existential crisis.Rick Deckard is a retired blade runner who is tasked with “retiring” a group of renegade replicants who have managed to escape off-world colonies.

Human empathy has become the litmus test for differentiating between humans and replicants, but this yardstick is a flawed one in a world that is on the brink of moral degradation.

Humans have become increasingly machine-like, while replicants have achieved AI singularity, exhibiting genuine psychological depth and empathy that surpasses their programming.The world

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