“Spencer” director Pablo Larraín has thrown his weight behind Chilean Oscar entry “White on White” (“Blanco en Blanco”), hailing it as a “really interesting, strange and highly violent film.”“White on White” also addresses issues that are “highly unsettling and complex and which haven’t been resolved or at least discussed at sufficient length,” Larraín adds.His words come from a conversation, which he moderates, with “White on White’s” director Théo Court and star Alfredo Castro that forms the latest Academy Awards Edition of CinemaChile Talks.Some sort of sympathy for “White and White” may be inevitable.Larraín was once a student of Castro’s, a notable theater director who has acted in six of Larraín’s nine films, starring in four: “Tony Manero,” Larrain’s 2008 breakout; 2010’s “Post Mortem”; 2012’s Oscar-nominated “No,” playing opposite Gael García Bernal; and 2015 Berlin Grand Jury Prize winner “The Club,” which persuaded Natalie Portman
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