Starry ‘Colette’ and ‘The Sisters Brothers’ Ignite Fall Specialty Box Office
The specialized fall season, rife with awards contenders, launched in earnest this weekend.
Two limited openings — “Colette” (Bleecker Street) with Keira Knightley as the legendary writer and western “The Sisters Brothers” (Annapurna), the first English-language film from director Jacques Audiard — notched bigger grosses than any platform debuts since early July.This weekend also saw three recent high-profile festival titles — Michael Moore’s “Fahrenheit 11/9,” Dan Fogelman’s “Life Itself,” and Sundance’s “Assassination Nation” — go wide nationally.
All three found little interest, but provided more competition for specialized viewers who might otherwise have patronized more limited films.Continuing the box office uptick for documentaries, three biodocs about creative figures found some initial response, with star-driven “Tea With the Dames” (IFC) showing particular strength in its New York exclusive.
“Love, Gilda” (Magnolia) made a national big- city showing, while “Garry Winogrand: All Things Are Photographable” (Greenwich) also saw significant opening interest in New York.
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