As the Canadian master of the perverse returns to Cannes with his first film in eight years, what better time to look back at his career, from Shivers to CrashAs you read this, I will be packing my tuxedo, linen shirts and several packets of ibuprofen for the Cannes film festival, which kicks off on Tuesday – back where it belongs in the calendar, in the springy blush of May.
At last year’s pandemic-delayed July edition, a wildcard Palme d’Or win for Julia Ducournau’s genderqueer cars-and-carnality freakout Titane seemed an apt response to the humid conditions.For viewers at home, Mubi’s Cannes takeover season offers some highlights from festivals past, from little-seen finds such as Mauritanian director Med Hondo’s powerful 1967 immigrant portrait Oh, Sun to more recent successes such as Laurent Cantet’s impassioned schoolroom debate The Class.
Three of Mubi’s selections are from last year’s festivals,
Read full article