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Oscars: How the Doc Branch Puts Women and International Stories Front and Centre (Column)

For female filmmakers in the industry, this year’s round of Oscar nominations – in which acclaimed female-helmed films such as “Hustlers” and “The Farewell” were shut out in place of male-directed Best Picture nominees predominantly centred on stories of white men – told a frustratingly familiar story. But in the Academy’s non-fiction branch, a different […]

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