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David Fincher Looks Back at Paul Thomas Anderson’s Scathing Takedown of ‘Fight Club’
While David Fincher’s “Fight Club” polarized critics and audiences upon release in 1999, few people were as publicly incensed over the film as Paul Thomas Anderson, whose “Magnolia” opened the same year. In a 2000 interview with Rolling Stone, Anderson gave a scathing takedown of Fincher’s movie, going so far as to wish cancer on […]
Continue readingAimee Mann on the ‘Stubbornness’ That Led to ‘Bachelor No. 2,’ an Indie Landmark Being Reissued for Record Store Day
Aimee Mann knows a sinking ship when she sees one. And she saw the holes in the ballast back at the turn of the century when she asked for her release from her record company so that she could release “Bachelor No. 2 or, The Last Remains of the Dodo” herself. It’s not so much […]
Continue readingAs PTA’s New Film Circles Move to MGM, What We Know About His Ninth Feature
Reports have emerged that Paul Thomas Anderson’s ninth movie, a comedy-drama set in the 1970s in the San Fernando Valley, is moving from Focus Features to MGM. While MGM declined to comment to IndieWire on the report that first emerged in Deadline, the production is said to be leaving Universal-owned specialty label Focus Features, which […]
Continue readingMy favourite film aged 12: The Sixth Sense
M Night Shyamalan’s ghost story terrified me to my teenage core – and ignited a love for clever storytellingRead all the other My favourite film choicesThe best arts and entertainment during self-isolationI turned 12 in 1999. Some film buffs like to say the year was one of the greatest in cinema’s history, spawning storied releases […]
Continue readingMemo to Distributors: Buy These 2020 Sundance Film Festival Movies
This year’s Sundance market was filled with questions, but buyers didn’t waste any time. (Browse the full list of acquisitions here.) By the end of the first weekend, it already featured the biggest sale in the festival’s history as well as the biggest documentary sale. Countless other buzzy projects landed homes at companies ranging from […]
Continue readingFilm News Roundup: Stellan Skarsgard’s ‘Out Stealing Horses’ Gets U.S. Distribution
In today’s film news roundup, Stellan Skarsgard’s drama gets U.S. distribution, James DuMont gets cast, “Beautiful in the Morning” opens the La Femme International Film Festival and Sony sets up multi-lingual comedy “Este Dia.”AcquisitionMagnolia Pictures has acquired U.S. rights to the drama “Out Stealing Horses,” starring Stellan Skarsgard and directed by Hans Petter Moland.The film, […]
Continue readingPaul Thomas Anderson’s Longtime Cinematographer Says They Probably Won’t Work Together Again
Robert Elswit has shot six films for Paul Thomas Anderson and won an Academy Award for his work on “There Will Be Blood,” but the cinematographer doesn’t expect to work with Anderson again. During an appearance on the Light the Fuse podcast, Elswit didn’t have great things to say about their working relationship: “God, I […]
Continue readingStarry ‘Colette’ and ‘The Sisters Brothers’ Ignite Fall Specialty Box Office
The specialized fall season, rife with awards contenders, launched in earnest this weekend. Two limited openings — “Colette” (Bleecker Street) with Keira Knightley as the legendary writer and western “The Sisters Brothers” (Annapurna), the first English-language film from director Jacques Audiard — notched bigger grosses than any platform debuts since early July.This weekend also saw […]
Continue readingRobert Pattinson, Mia Wasikowska’s ‘Damsel’ Lands at Magnolia Pictures
Magnolia Pictures and Great Point Media will partner on the U.S. release of David and Nathan Zellner’s “Damsel,” starring Robert Pattinson and Mia Wasikowska.The Western comedy world-premiered in January at the Sundance Film Festival, and played at the Berlin International Film Festival in February. The movie is also screening Monday at the SXSW Film Festival […]
Continue readingBerlin Film Review: ‘L’Animale’
With the buzzing of tires across the gravelly bottom of a small quarry bitten into a hillside, Austrian sophomore director Katharina Mueckstein (“Talea”) kickstarts her coming-of-age story in promisingly high gear. And when one of the helmeted motocross riders, clad in light, Imperial Stormtrooper-style body armor, is revealed, against expectations, to be a girl, there […]
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