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‘Last And First Men’: Jóhann Jóhannsson’s Directorial Debut Is An Awe-Inspiring Experience [Berlin Review]

There are few shots in the pantheon of cinema as iconic as that of the Monolith in “2001: A Space Odyssey.” It’s a haunting image that, combined with its shrill score—a whirlwind of strings and wails, tearing away at your very soul—breaks you into vulnerability. In the Monolith lies the universe: To look at it […]

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