The 225 Best Horror Movies of All Time
In this time of geekery and craft reigning supreme, film critics and academics no longer reject horror movies with the knee-jerk certainty some once did.
But even now the specter of “elevated horror” (see that concept’s lambasting in Matt Bettinelli-Olpin and Tyler Gillett’s “Scream 5”) looms over discussions of artier explorations of dread and terror — Ari Aster’s “Midsommar,” Luca Guadagnino’s “Suspiria,” Rose Glass’ “Saint Maud” — that are clearly distinguished from, well, non-elevated horror.
The general gist is that these exceptions to the “horror is bad” rule engage your brain more than just showing brains: eaten by zombies or splattered against the wall.How can films that fire your adrenal glands, send shivers down your spine, raise goosebumps, and quicken your breath — that inspire such an intense physical reaction — also be cerebral experiences? The answer is obvious enough.
Viewers forget all the time that, as Anna Karina
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