‘The Devil Has a Name’ Review: Kate Bosworth Gives a Diabolical Turn in This Scrambled Skewering of Corporate Self-Interest

In “Battlestar Galactica” star and sometime director Edward James Olmos’ “The Devil Has a Name,” corporate America is poisoning the little guy, again.

Call me cynical, but that will hardly come as a surprise to most audiences, who’ve been watching entities with deep pockets shirk public safety for quick profits for the better part of their lives, thanks in no small part to Hollywood’s efforts to amplify the whistleblower.

Over the years, we’ve seen nuclear facilities fail to contain radiation (“Silkwood”), fracking interests conspire to deceive a small town (“Promised Land”) and Dupont dump toxic chemicals into a West Virginia water supply (“Dark Water”).Such movies are nearly always earnest to the point of self-righteous, an approach best exemplified by “Erin Brockovich” — which is the case “Devil” most closely resembles, since both true(ish) stories seek to expose the impact of carcinogens seeping from unlined wastewater ponds into the surrounding area.

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