Nisha Ganatra’s “The High Note,” has a Tracee Ellis Ross problem, meaning that there isn’t enough of her in the movie.
The script, procured by Flora Greeson, focuses chiefly on Dakota Johnson, which isn’t a bummer trade at all: Her deceptively breezy charm has enough strength to hold up even the hollowest pictures, no matter how many shades of grey they’re brushed with.Continue reading ‘The High Note’: Dakota Johnson & Tracee Ellis Ross Have Chemistry, But White Faces Intrude On Black Spaces [Review] at The Playlist.
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