Every film made in response to 9/11 is a horror film in one way or another, but none of them — from the unbearable simulation of “United 93” to the eerie found footage of “Cloverfield” and the chilling-that-this-was-nominated-for-Best-Picture-ness of “Extremely Loud and Incredibly Close” — have spoken the genre’s common tongue more fluently than “The Humans.” And yet, for a movie which opens with a thunderous jump-scare that it follows with another solid jolt every few minutes before ending with the year’s most pitch-black sequence of pure terror, the biggest shock of all might be that Stephen Karam’s debut feature is so conventionally scary in the first place.A prestigious screen adaptation of a Tony-winning play is just not the sort of thing that one expects to watch between their fingers, even if it stars legendary scream queens [checks notes] Beanie Feldstein, Amy Schumer, and… June Squibb? Indeed, even those familiar with
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