If you want to make a good-looking film these days, I’ve got one word for you: neon.
It doesn’t matter your genre or budget; everybody’s doing it, from small-fry dystopia “The Bad Batch” to estrogen-pumping action flick “Atomic Blonde.” Some directors are even taking “neo-noir” to punnish levels, as films like “Gemini” and “Blade Runner 2049” max out the technicolor aesthetic.
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