You Were Never Really Here review – a hitman with a conscience?

Lynne Ramsay’s fourth film is a nightmarish vision of a killer’s quest for redemptionIn 2011, I named Scottish film-maker Lynne Ramsay’s third feature, a brilliant adaptation of Lionel Shriver’s novel We Need to Talk About Kevin, as my favourite film of the year.

Since then, Ramsay has talked enticingly of making “Moby-Dick in space” and walked away from the female-led western Jane Got a Gun.

In the process, she’s apparently earned a reputation for being “difficult”, a term first whispered during her battles to bring Alice Sebold’s The Lovely Bones to the screen, an ambition eventually realised by Peter Jackson, with dismal results.Now, with her fourth film (from a novella by Jonathan Ames), Ramsay offers a riposte to anyone who ever doubted her talent or her working methods.

Combining the visual poetry of Ratcatcher with the dizzying first-person fugues of Morvern Callar, You Were Never Really Here

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