There’s a moment in “Barbie” where Ryan Gosling, who plays the wickedly funny and insecure manchild, Ken, steps off the screen and yells, “Sublime!” It might be the most extraordinary Oscar-worthy clip of a person not to be seen on screen.“Barbie,” the new meta-comedy from Warner Bros, which also acts as an infomercial for Mattel, finally lands for audiences and could be one of the leading comedy films seeking Oscar recognition by year’s end if Academy members can take it seriously.
Gosling’s iconic turn, at least, is worthy of best supporting actor recognition.Commercial comedies, particularly those without the added “dramedy” sub-qualifier, have faced difficulty landing Academy recognition for decades.
However, a promising trend has been seen in the last few years with acting nominees like Robert Downey Jr in “Tropic Thunder” (2008), Melissa McCarthy in “Bridesmaids” (2011) and Maria Bakalova in “Borat Subsequent Moviefilm” (2020) landing comfortably in their respective fields.
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