Brief Encounters/The Long Farewell review – complex, poetic digressions in Soviet Russia

These two striking, improvisatory remasters by Kira Muratova resemble early Polanski, and establish the late director as a fiercely intelligent auteurTwo complex, elusive and demanding films by the late Moldovan-born, Ukrainian-based director Kira Muratova have now been digitally remastered and rereleased: Brief Encounters (1967) (★★★★★) and The Long Farewell (1971) (★★★★★).

The latter was not initially released until much later, owing at least partly to the continuous suspicion Muratova’s distinctive, prose-poetic film language faced from the Soviet authorities.The question of the director’s neglect in film history has been much discussed, and maybe it is also marginally unfortunate that the titles of these films are easily confused with two very well-known English-language movies.

Both contain a single striking narrative hook, what might in Hollywood terms almost be called a “high concept”.

In Brief Encounters, an elegant single woman employed in the government’s housing department takes in a live-in housekeeper, unaware…

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