There was a mass walkout at the Cannes premiere of von Trier’s The House that Jack Built.
From A Clockwork Orange to Driller Killer, cinema has always courted controversy – but could we be entering a more cautious age?There is a stampede to get into The House That Jack Built and then, not long after, there is a stampede to get out.
At the morning screening of the new Lars von Trier film at Cannes, I try to keep tabs on the number of mass walkouts.
The first occurs when Matt Dillon’s bug-eyed psychopath sticks a kitchen knife in a breastbone; the second when a serene little boy cuts the leg off a duckling.
I think the third might take place during the shooting at a picnic, although, by this point, I confess I am slightly losing track.
On screen, Dillon’s character embarks on a lengthy discourse about wine – and,
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