The second season of Netflix “Emily in Paris” is as light as a bite of choux à la crème, but not nearly as delicious.
The series’ popular but maligned first season is perhaps most noteworthy for its cliche-riddled approach to French-American relations, along with the fact that unqualified social media strategist Emily (Lily Collins) seems to be constantly failing upwards.The sophomore season, which debuts December 22, course-corrects some of the first season’s problems while inventing others.
The result is an escapist rom-com that’s very watchable, but increasingly frustrating.”Emily in Paris” has never claimed to be doing Shakespeare.
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