In Sean Durkin’s new film The Nest, Law plays an 80s broker whose financial deals destroy his marriage.
He and the director talk about making his character likable – and how US can-do culture changed class-ridden BritainFor a few months in 2000, Jude Law’s working week consisted of shooting the war epic Enemy at the Gates in Berlin from Monday to Friday, before hopping on Concorde on Friday eveningto fly to New York to rehearse for AI with Steven Spielberg for the weekend.
On Sunday night he was back on Concorde to Berlin.
“I was quite new to movie acting back then,” he says.
“I just assumed that was what it was like all the time.”It wasn’t.
Not even for an actor like Law, who has been in healthy demand on both sides of the Atlantic ever since.
But it was one of the first times that
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