New Life is a genre-bending movie that defies simple definitions.
At first, writer-director John Rosman’s feature debut presents itself as an engaging cat and mouse game played by Sonya Walger and Hayley Erin that doesn’t seem like it will add something new to spy thriller conventions.
As it turns out, though, that’s part of New Life‘s charm, with big second-act revelations pushing Rosman’s feature straight into horror territory and changing the story’s stakes.
While getting into the major twist would completely spoil the film, it’s worth noting how the filmmaker takes one of the most overused tropes in horror and approaches it from a new angle.
That alone would make the movie a standout, but New Life has much more to offer.
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