Ted Fendt’s enigmatic and unhurried conversational feature offers existential issues in a casual, naturalistic narrativeVienna was a pitstop between adolescence and adulthood for Julie Delpy and Ethan Hawke in Before Sunrise, and this short, equally conversational 16mm feature by Ted Fendt picks up that baton.
At one point one of its three twentysomething seekers, Mia (Mia Sellman), refers to an anthropological rites of passage theory she has picked up during her studies – and the “liminal”, uncertain phase in the middle.
If insomnia, missing wallets and annoying small-press owners qualify as rites of passage, the liminal phase is where we are.Floaty, soft-smiling insomniac Daniela (Daniela Zahlner) makes a stop in Berlin to visit Mia, a quietly intense master’s student she met while travelling in New York; the two chat about sleep issues, loll around the city, fail to go out dancing with Natascha (Natascha Manthe), a colleague
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