“Full Circle” came to an exceptionally satisfying end July 27, as director Steven Soderbergh and writer Ed Solomon elegantly pulled together the varied storylines and themes that comprised its sprawling, penetrating narrative while leaving just enough unanswered questions to tantalize the viewer.
Soderbergh looked back on the making of the Max limited series in a wide-ranging roundtable interview that touched on a number of subjects both directly and indirectly related to “Full Circle,” from why he likes to shoot quickly to what he learned from the New York cop movies of the 1970s.
Here are some highlights from the conversation.On the influence of William Friedkin and Sidney Lumet.While preparing for “Full Circle,” Soderbergh looked at William Friedkin’s “The French Connection” and Sidney Lumet cop movies like “Serpico.” “There can be something compelling and arresting about an approach that’s really direct and doesn’t have a lot of filigree in it,…
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