From buzzy horrors to difficult dramas, this year’s low-key, mostly virtual festival offers a restricted yet intriguing selectionEven in any normal year, trying to predict what will and won’t land at the Sundance film festival is something of a fool’s errand.
It’s a lineup filled with small, often totally unknown films, most of which don’t yet have distribution, a long list of italicised question marks waiting to be underlined or erased and what makes it all that much harder to predict is that the movies that premiere with big names are often the biggest disasters.
In recent editions, films such as Eighth Grade, The Farewell, Never Rarely Sometimes Always and Hereditary all came from nowhere to end up going somewhere while more obviously starry fare such as Four Good Days (Glenn Close and Mila Kunis), The Last Thing He Wanted (Anne Hathaway and Ben Affleck
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