Tribeca Film Review: ‘Song of Back and Neck’

In the American version of “The Office,” Paul Lieberstein played Toby Flenderson, the world’s least competent Hr director, so ineffectual he actually wound up bearing the brunt of his colleagues’ workplace harassment.

Like a human Eeyore, or the sad-sack equivalent of a giant shrug, the actor made for an amusing contribution to a well-rounded ensemble, although it’s hard to imagine Lieberstein carrying his own movie.

Sure enough, even when serving as writer-director, as he does in “Song of Back and Neck,” the guy frequently seems like the least interesting character on-screen (there are entire scenes where he literally just lies there while funnier actors steal the show).If this were Tom Cruise we were talking about, that would be a crippling flaw, but Lieberstein designs his eccentric little debut along the lines of “Being John Malkovich,” in which John Cusack and Cameron Diaz had their star power stripped

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