New York-based director and production designer Laura Moss landed on Filmmaker’s 25 New Face list this past year on the strength of Fry Day, her entirely exemplary short film about a teenage girl selling Polaroid photos on the eve of serial killer Ted Bundy’s execution.
With this macabre event as a backdrop, Moss goes on to create, as I wrote in the profile, “a nail-bitingly tense, mournfully sad coming-of-age adventure.” I went on to write: That Fry Day uses the disquieting atmospherics and moral turbulence of the serial killer genre without indulging in gratuitous physical violence is a testament to […]
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