There is a movie slowly expanding across the country by the next great auteur you may not have heafd about yet.
Actually, calling her “the next” insinuates she isn’t there yet.
Based on “The Rider” it’s pretty clear Chloé Zhao has arrived and an auteur filmmaker that demands your attention.Chloé Zhao’s deeply moving, entrancing western “The Rider” [Cannes Review]Zhao’s second directorial effort debuted at the 2017 Cannes Film Festival and impressively screened afterward at Telluride, Toronto, New York and Sundance (a rare film to hit all four major fests).
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