With a reputation for nuanced color tones and tweaks that may evoke a suffocating Buckingham Palace in “The Crown” or a ghostly time shift in “Last Night in Soho,” Asa Shoul, senior colorist at Warner Bros.
De Lane Lea in London, is increasingly tough to book.A veteran of post production on some 50 feature films, Shoul began at Framestore in 1994 as a telecine colorist before going on to score a BAFTA TV craft award for Netflix hit series “The Crown,” and has worked on Emmy-winning history miniseries “Shackleton” and “Generation Kill” for HBO.With a body of work also including “The Constant Gardener,” “United 93,” “Ex Machina” and “Baby Driver,” it’s no surprise Shoul is one of the 14 nominees for a new EnergaCamerimage Film Festival prize, the FilmLight color awards, an honor the U.K.
post company launched to highlight the critical work of the industry’s top colorists.
Read full article